Sense of Sound.

A Creative Music + Sound Agency  ×  Riyadh Airports

Mohammed S. Alshammari  ·  Nawaf A. Alzadjali

Straight to deliverables and costs

Who we are

We create sound.

WithFeeling is an award winning global sonic branding and audio agency. We partner with the world's most ambitious brands to build sound identities that are distinctly ownable, deeply resonant, and engineered to last a lifetime.

From brand anthems and sonic logos to complete audio ecosystems, every touchpoint is crafted with intention, and with feeling.

One toolkit, endless opportunities.


Music. WithFeeling.

A complete sonic identity starts with one ownable hero track. Within it sits a signature sonic logo, crafted note by note. That core motif recurs throughout the wider track, then adapts endlessly into one identity with many expressions, extending across a complete toolkit, from UX and UI to IVR, events and social.

How we work

Our Approach

Five steps take a brand from a feeling to a living sonic identity.

STEP 01

Check Your Current Sound

Spot what you're already playing, and whether it's on brand or off key.

STEP 02

Decide Your Sound Style

Figure out what your brand should actually sound like.

STEP 03

Create Your Sound

Turn the direction into real, finished audio.

STEP 04

Put It All Together

Roll it out without anyone going rogue.

STEP 05

Keep It Fresh

Don't let it get stale.

For King Khalid International Airport this becomes a family of themes, a distinct variation for every space and moment across the terminals, all drawn from one signature and extended by a generative layer that keeps the sound alive and never repeating.

Selected work

Highlights

01

Sonic Branding

Dubai Airports

WithFeeling created the sonic identity for Dubai Airports, the world's busiest international airport, in partnership with Seven Media. Built on a Heartbeat of Unity, a synthesized Oud and Kanun motif lifted by an electronic pulse, it carries the brand promise of "many hearts, one beat" across films, terminals and contact lines.

Learn more
02

Sound Design

City Living Museum

For the City Living Museum in Madinah, we recorded the living sounds of the holy city and composed them into a 30 minute soundscape. Created with Sunio One for the Al Madinah Region Development Authority, it turns the atmosphere of a sacred place into an immersive, place rooted sonic experience.

Learn more
03

Dubai Holding Entertainment

Ain Dubai

A landmark above Dubai needed more than a soundtrack. We built a complete sonic identity for the wheel: a sonic logo, 24 hour Plaza playlists, two terminal film scores (Sands of Time, Ain Skies) and a 13 part cabin journey that rises to a crescendo at the summit.

250M
above the skyline
38 min
bespoke cabin score
13
sections, view by view
2
terminal films scored
Learn more
04

Qiddiya City, KSA

Aquarabia

Aquarabia is the Kingdom's first water theme park, in Qiddiya City. We scored every zone, weaving bespoke music, ride audio and bilingual announcements into one continuous sonic world that follows guests from ride to ride.

9
themed zones
60 min
BGM playlists
AR + EN
announcements
2
immersive shows
Learn more
05

A Flagship World Expo

Expo 2020 Dubai

The anthem that became an identity. We created zoned soundscapes across the entire site, district by district, with the song and theme written and produced by cofounder Joe Dickinson.

#1
on MENA charts
4 note
hook turned identity
5,000 min
of soundscapes
6 months
live, millions reached
Learn more
06

Royal Commission for Riyadh

Riyadh Expo 2030

A different tomorrow, our theme for Riyadh Expo 2030. With Crown Prince Mohammed bin Salman in attendance, we composed immersive soundscapes for the official reception at the Grand Palais Éphémère in Paris, blending traditional Saudi elements and live Oud with Western orchestral flavours. The bid won.

179
BIE member nations present
10
original zones scored
8
distinct soundscapes
Won
the Expo 2030 bid
Learn more
07

Ministry of Tourism, KSA

The Sound of Saudi

Briefed to turn Endless Discovery into sound, we created the sonic identity for the Ministry of Tourism of Saudi Arabia. A nation of contrast and character, where ancient rhythms meet visionary transformation, given a voice that carries across every touchpoint of the brand.

Learn more
08

Diriyah Biennale Foundation

Islamic Arts Biennale

An award winning sonic identity for the Islamic Arts Biennale in Jeddah, a landmark celebration of Islamic art, faith and craft. Made with .Pomelo and the Diriyah Biennale Foundation, it earned Bronze at the Clio Music Awards and a win at the International Sound Awards.

Learn more
09

Dubai Financial Market

Dubai Financial Market

For Dubai Financial Market, sound marks the rhythm of the trading day. A calm, considered Morning Loop opens the markets and a warmer Evening Loop closes them, each a twenty minute composition mastered to broadcast loudness so the floor always feels alive.

Dubai Financial Market soundscape film

Evening Loop

Closing the markets

Our approach

Research Backed Creativity

Every creative decision we make is grounded in acoustic science, cultural research, and brand strategy. Our process doesn't begin with a melody. It begins with meaning.

Added value

Independent Sonic Validation

Joe Sauer

Joe Sauer

EmotiSphere Insights

Implicit Association Testing (IAT)

To support confident decision making at a global scale, WithFeeling works with EmotiSphere Insights, led by Joe Sauer, to bring independent third party validation to the sonic work we create.

Using proven neuroscience based methodologies, including Implicit Association Testing (IAT), their testing assesses the subconscious emotional impact of sonic assets. This moves beyond subjective preference to measure the emotional cues that drive memorability, trust, and long term brand value.

The purpose is not to constrain creativity, but to validate strategic direction, reduce risk, and support a consistent, future ready sonic framework.

Familiar ground

A Space We're Already Familiar With

Use of sound and its impact within commercial airports is something we already understand deeply. Working on oneDXB gave us the opportunity to explore the sounds of regional and global airports, how and where they use sound, and what makes each one distinct. The examples below showcase international airports already adopting a sonic identity across their core brand material.

Sharjah Airport

United Arab Emirates

Munich Airport

Germany

Brussels Airport

Belgium

The opportunity

Exploration in Sound

We'd welcome the opportunity to take a deeper look at how sound is currently working across your airports, every touchpoint, every environment. We want to understand where sound is present, where it's absent, and where it could be refined.

Airport interior

King Khalid International Airport · Riyadh

Generative Audio

A living soundscape that never repeats

It begins with a long, richly composed Riyadh sound, woven with live Saudi instruments and recorded local textures. The generative system then quietly reshapes it to the life of the terminal, the time of day, the weather and how busy the space is, so it stays fresh, never loops, and never wears on your people.

Prepared for the Sense of Place programme · Sense of Sound

The shift

From a loop your staff memorise, to a sound that lives

The single biggest risk with airport music is repetition. Generative audio removes it by design.

The looped playlist problem

  • A fixed two hour playlist is heard hundreds of times a week by the people who work there.
  • Staff learn every track and every transition, and the music stops being atmosphere and becomes an irritation.
  • It is the exact outcome you flagged with your current deployed identity: annoying for the workforce.
  • No standardised music service can solve this. Repetition is built into the format.

The generative shift

  • One musical identity, composed by us, that gently rearranges itself in real time.
  • Instruments, density and energy shift with the room, so no two moments sound the same.
  • Across a full shift, a staff member never hears the same sequence twice, with nothing to memorise.
  • Felt, not noticed: it enhances the space rather than competing with it.

Live signals

What the sound responds to

Live signals from the terminal feed a sound engine that adjusts the music continuously, subtly, and always within the Riyadh sonic identity.

Time of day

Softer and more spacious at dawn; warmer and fuller as the day settles into evening.

How busy it is

Volume, density and rhythm ease back when quiet, lift gently when the terminal is lively.

Weather outside

Rain, wind and light levels colour the texture: the building's mood, expressed in sound.

Sense of place

Live Saudi instruments like the oud, plus recorded Riyadh textures, carry the central region identity.

Journey moment

Arrival, dwell and departure each carry their own feel as passengers move through.

Proven, not assumed

EEG and biometric testing measures the real emotional response, before and after, so the benefit is shown in data, not just described.

2027 readiness

Built for a silent airport

Your move to a silent airport by 2027 removes public paging. That doesn't mean silence. It means the right sound, in the right place, with nothing competing against it.

01

No blaring gate calls

With public announcements gone, the soundscape finally has room to breathe, exactly the canvas generative audio needs.

02

Localised, not broadcast

Flight information stays at the gate. The ambient identity lives across public zones, never interrupted by paging.

03

A sound you miss when you leave

Just as Riyadh Breeze lingers in memory, the music builds a sense of place, sitting naturally alongside anchored cues such as your Riyadh rooted call to prayer.

04

Safety always wins

Designed to duck or mute instantly for any emergency or PAVA announcement, so the sound never gets in the way of operations.

One signature

One identity, expressed zone by zone

The same Riyadh sound, adapting to the purpose of each space across your five terminals, unifying the differing terminal designs under one recognisable signature.

01

Arrivals & wayfinding

Calm, orienting tones that gently ease the transition from aircraft to terminal.

02

Check in & public halls

An open, welcoming bed reflecting Riyadh heritage: present, never intrusive.

03

Indoor greenery zones

Natural textures and soft movement that bring the green terminals to life through sound.

04

Lounges & rest areas

Warm, low frequency calm for dwell time: restorative pockets between flights.

05

Dining & retail

A touch more rhythm and energy, lifting the atmosphere without raising the volume.

06

Gates & boarding

Subtle shifts in pace cue boarding phases, guiding behaviour with no paging required.

Delivery partners

Our masterpieces, brought to life

WithFeeling composes the sound of King Khalid. To engineer it into a living, generative system across your terminals, we bring world class technical partners.

WithFeeling

WithFeeling

Creative authorship: the bespoke Riyadh sound, live Saudi instrumentation, sound design and recorded local textures, and the emotional intent behind it all.

Raven AV logo

Raven AV

Spatial audio, generative playout and remote integration. 207 invisible loudspeakers at the Saudi Pavilion, Expo 2025, are theirs.

Mosaic logo

Mosaic

Raven AV's sister company, handling system integration, acoustics, and spatial design on large scale architectural projects.

Next step: a working session to shape a generative concept and a live demo for King Khalid.

The technical team

Meet Raven

Specialists in spatial audio and immersive AV, leading the technical integration behind your sound.

Dan Roncoroni

Dan Roncoroni

Managing Director, Raven AV

Dan cut his teeth in the events industry in both live music touring and West End theatre, moving to the worlds of design and construction as the theatre impresarios began renovating London's aging theatre stock, and the explosion in demand for "cultural architecture" began, with the £130m renovation of London's Theatre Royal Drury Lane being a standout project.

From this, he joined the UK based theatre consultancy, Charcoalblue as an Audiovisual Consultant and, both with Charcoalblue, and since forming Raven AV, has worked on global projects with architecture studios such as ZHA, Foster + Partners, Snøhetta, Populous, and Haworth Tompkins. Many of these projects have been key developments within the Kingdom, and his roles have included being the Head of Sound on the Saudi Arabia pavilion at Expo 2025, leading much of the audiovisual systems design on the Qiddiya ESports Arena, and handling audio systems design for Aquarabia.

James Wilson

James Wilson

Audio & Systems, Raven AV

Spending his teens working at Tunbridge Wells Forum and later coming back to manage and upgrade the venue after reading political theory, James specialises in audio, but is comfortable wearing many different hats whilst working across rock, corporate and theatre.

From commissioning an exhibition in Egypt one week to mixing metal acts in Europe's arenas the next, James is as happy behind a mixing desk as he is working on system design.

The proposal

Proposed Deliverables

Content

01 Sonic IdentityOne hero brand track of 5 minutes with cutdowns, plus the sonic logo. 3 full demos, 2 rounds of revisions.

The core sonic identity: one hero brand track of 5 minutes, its family of cutdowns, and the sonic logo. We begin with a strategy phase, then compose and produce 3 full demo directions for review, with 2 rounds of revisions on the chosen route. The cutdowns give you edit lengths of the hero track ready for every touchpoint, and the short-form sonic logo becomes the signature stamp of the brand.

02 5x 30 Minute Variations of the ThemeTo be played out in KKIA.

Five long-form adaptations of the signature theme, each 30 minutes, reimagined to fit a distinct space and mood within King Khalid International Airport. Same DNA, five different atmospheres, so the identity stays fresh and never feels like a loop.

03 Call to Prayer Programme5 prayers, 5 muezzins: The Riyadh Neighbourhood.

Voices of Riyadh

Five muezzins of the city. Five daily prayers. One unmistakable sense of place. We scout and record five muezzins from Riyadh's own mosques in studio quality, each drawn from a different district, each prayer given its own voice and maqam to match its hour and its mood. Before every adhan, the airport's sonic logo plays as a calm solo oud arrangement: the brand steps back, so the city can speak.

The full sequence runs automatically at every prayer time, locked to the official Umm al Qura times for Riyadh: the background music fades, the oud logo sounds, a minute of stillness settles the terminal, then the adhan rings out before the soundscape gently returns. No manual steps, no missed calls.

Five muezzins, five prayers

Each prayer is given its own muezzin and maqam, chosen to match its hour and its mood. Together, the five calls form a sound map of Riyadh. Every recording is made with reverence, and reviewed with the relevant religious authorities before it plays.

Ad Diriyah mosque

Fajr Ad Diriyah

Maqam Saba

Tender and full of dawn, for the quiet first light of the terminal.

Al Olaya mosque

Dhuhr Al Olaya

Maqam Rast

Bright and noble, carrying beautifully through the midday halls.

Al Murabba mosque

Asr Al Murabba

Maqam Bayati

Warm and rounded. The everyday voice of the neighbourhood mosque.

Ad Deerah mosque

Maghrib Ad Deerah

Maqam Hijaz

The classic colour of the call, recognised across the Kingdom.

Al Safarat mosque

Isha Al Safarat

Maqam Nahawand

Gentle and contemplative, settling the terminal into night.

We have done this before, at world scale.

WithFeeling led the sound strategy for Expo 2020 Dubai: the sonic identity, the soundscape across the entire site, and the call to prayer. Seven muezzins, one from each emirate, were selected with Islamic Affairs (IACAD) and recorded in studio. At every prayer, programming paused for around four minutes and the adhan rang across seven zones in sync, with no manual intervention.

Expo 2020 Dubai entrance
The world’s meeting place
The seven muezzins recorded in studio
The seven muezzins, recorded
Map of seven synchronised zones
Seven zones, one synchronised call
The Expo soundscape in situ
The soundscape in situ
182consecutive days of flawless daily playout
24M+visits immersed in the Expo soundscape
7×7muezzins from the seven emirates, across seven zones in sync

Alaa

Expo 2020 Dubai recording

Bilal

Expo 2020 Dubai recording

Mamoon

Expo 2020 Dubai recording

Omar

Expo 2020 Dubai recording

Sayied

Expo 2020 Dubai recording

Tariq

Expo 2020 Dubai recording

Ziaullah

Expo 2020 Dubai recording

04 Compliance Strategy DocumentA Riyadh Airports Sound Strategy and Compliance Guide.

A practical governance document for the whole estate, giving Riyadh Airports a single enforceable reference for every sound decision across the terminal.

  • Sonic strategy and standards framework: Defines the sonic strategy for the whole airport, core asset usage rules (hero track, sonic logo, generative soundscapes, notification library), and firm audio standards including zone by zone volume levels, timings, and clear rules on what plays where.
  • Operational SOPs: Documented procedures covering normal operations, prayer times (fade out and return protocols), incidents, and emergencies, with clear escalation rules from partial ducking through to full mute and PAVA only states.
  • Partner and retailer compliance requirements: Binding standards for retailers, lounges, and pavilions covering permitted music types, volume limits at store boundaries, approved providers, and the audit and enforcement process.
  • PAVA and systems compliance: Assessment of compatibility with the public address and voice alarm infrastructure, minimum technical requirements per zone, and integration rules ensuring the sonic identity never compromises safety announcement intelligibility.
  • Governance and change control: Ownership model, exception request process, and version control for all rules and assets.
  • Delivery: 6 to 10 weeks including stakeholder workshops and two structured review rounds. Excludes on site acoustic testing and measurement, which can be scoped separately with an engineering partner.
05 Implicit Association Testing (IAT)Scientific validation of the sonic identity's emotional impact.

Independent third party validation delivered with EmotiSphere Insights, led by Joe Sauer. Using proven neuroscience based methodologies, Implicit Association Testing measures the subconscious emotional impact of the sonic assets, confirming that the identity triggers the right associations with the Riyadh Airports brand. It moves beyond subjective preference to measure the cues that drive memorability, trust, and long term brand value.

06 Musicology ConsultantIndependent originality and copyright assurance.

An independent musicologist reviews every piece of music composed for Riyadh Airports, verifying that all work is 100% original and free of any copyright risk moving forward. This protects the airport's investment in the identity and ensures every asset can be used with total confidence, worldwide and in perpetuity.

Tech & Hardware

A note on technical scoping. The tech and hardware workstream is genuinely complex, and pricing it properly will require structured workshops between WithFeeling, Raven AV and the Riyadh Airports team. Once the documentation below is received, Raven AV will need approximately two weeks to prepare a detailed estimate.

To begin moving forward, we kindly request the following:

  1. Floor plans, with the areas requiring treatment indicated
  2. Elevation drawings of the areas requiring treatment
  3. Schematics of the existing audio system
  4. 3D drawings
  5. Information on the location of the AV rack rooms
07 Generative SystemFresh and evolving soundscapes, determined by place, population, time of day and seasonal factors.

A unique solution that keeps the soundscape alive. The system reads place, passenger flow, time of day and seasonal factors, and continuously reassembles the musical elements so no two hours sound the same, while always staying unmistakably on brand.

08 TestingThird party evaluation of all assets.

Independent third party evaluation of every asset to guarantee performance and longevity in real world use: acoustic testing in the actual terminal spaces, passenger response research, and refinement before full rollout.

09 Additional SpeakersExtending coverage where the current system falls short.

Supply and specification of additional loudspeakers where the existing public address infrastructure cannot deliver the identity at the intended quality, so coverage is even and every zone sounds as designed.

10 ProgrammingInstallation, integration and scheduling.

Full technical programming of the playout: integration with the airport’s systems, zone by zone scheduling, prayer time automation, and handover with documentation and training so the operations team runs it with confidence.

Proposal

Deliverables

ItemQuantityCost (SAR)
Content
Sonic IdentityOne hero brand track of 5 minutes with cutdowns, plus the sonic logo. 3 full demos, 2 rounds of revisions.1250,000
5x 30 Minute Variations of the ThemeTo be played out in KKIA.5500,000
Call to Prayer Programme5 prayers, 5 muezzins: The Riyadh Neighbourhood.1155,000
Compliance Strategy DocumentA Riyadh Airports Sound Strategy and Compliance Guide.1TBC
Implicit Association Testing (IAT)Scientific testing to validate that the sonic identity triggers the right emotional associations with the Riyadh Airports brand.170,000
Musicology ConsultantIndependent musicologist review ensuring all music composed for Riyadh Airports is 100% original and free of any copyright risk moving forward.150,000
Tech & Hardware
Generative System1TBC
Testing1TBC
Additional Speakers1TBC
Programming1TBC

A note on technical scoping. The tech and hardware workstream is genuinely complex, and pricing it properly will require structured workshops between WithFeeling, Raven AV and the Riyadh Airports team. Once the documentation below is received, Raven AV will need approximately two weeks to prepare a detailed estimate.

To begin moving forward, we kindly request the following:

  1. Floor plans, with the areas requiring treatment indicated
  2. Elevation drawings of the areas requiring treatment
  3. Schematics of the existing audio system
  4. 3D drawings
  5. Information on the location of the AV rack rooms